Sheer Coronary heart Assault (1974)

For a technology of followers who grew up listening to ‘Radio Gaga’ and ‘One other One Bites The Mud’, it’s straightforward to overlook simply how a lot of a tough rock band they had been, notably on their first three information. Drummer Roger Taylor, reflecting in 2014, claimed that they “had been like Led Zeppelin with harmonies”, as ‘Sheer Coronary heart Assault” reveals. In elements as energetic as The Who, in others musically dexterous as Cream, at different occasions as seductive as Kiss, ‘Sheer Coronary heart Assault” is a implausible visage of seventies glam steel.

A lot of this visage is all the way down to Brian Might’s stellar taking part in, whether or not it’s the uneven chords on ‘Stone Chilly Loopy’, the psychedelic riff heard in ‘Flick Of The Wrist’ or, better of all, the lengthy, blistering solos of album opener ‘Brighton Rock’, Might’s taking part in would by no means sound pretty much as good as this once more on a future Queen file. That is made all of the extra exceptional when you think about what number of recording periods Might missed, his absence the fault of a nasty case of hepatitis, an sickness he contracted whereas touring North America with Mott The Hoople in 1974, a band he paid tribute to on ‘Now I am Right here’.

In his absence, the opposite three soldiered on as a lot as they may with producer Roy Thomas Baker in Trident Studios, Freddie Mercury offering lots of the songs which made the album’s last minimize. A chameleon author, Mercury threw himself from style to style with gusto, from esoteric pop ‘Killer Queen’ to skiffle influenced ‘Carry again that Leroy Brown’ to anthem nearer ‘In The Lap Of The Gods… Revisited’ (so-called, as a result of related title of one other monitor). Better of all, Mercury wrote the plaintive ‘Lily Of The Valley’ a sombre ballad, its temper solely equalled by Might’s succulent ‘She Makes Me (Stormtrooper In Stilletoes)’ and funereal ‘Expensive Pals’, three gentle respites from the riff pushed vitality of the opposite songs.

Drummer Roger Taylor additionally contributed ‘Tenement Funster’, a fifties rock ode sung by Taylor giving his finest Rod Stewart impersonation. A traditional tune of intercourse, medicine and rock n’ roll, it proved to be Taylor’s first actually nice tune. Taylor additionally wrote the file’s title monitor, though followers must wait an additional three albums earlier than they heard the tune, on account of its incompleteness in 1974.

Bassist John Deacon, having abstained from earlier information, lastly recorded certainly one of his personal compositions. True, ‘Misfire’ just isn’t en par with the songs of Might, Mercury and Taylor, however it proved to have sufficient musical potential to point out that Deacon was removed from the band’s Ringo Starr; by their subsequent file, ‘A Evening At The Opera’ (1975), Deacon proved himself very a lot a song-writing equal to the opposite three.

However as a musician, Deacon actually excels on the file. If Might’s guitar taking part in was the album’s finest attribute, Deacon’s thrills had been an added incentive. From the jazz frills on ‘In The Lap Of The Gods… Revisited’ to the aggressive energy taking part in on ‘Flick Of the Wrist’, Deacon was a really versatile participant, a match match to Taylor’s sparse taking part in, collectively a rhythm part able to equalling Bruce/Baker, Jones/Bonham or Redding/Mitchell.

Queen would file albums of higher songs and extra cohesion. However there’s something particular about ‘Sheer Coronary heart Assault’. Dense and thrilling, diversified and accessible, the band by no means sounded pretty much as good a unit as they did on this file ever once more.

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